Den ingår i Kierkegaards verk Antingen-eller från 1843. av Don Juan-figuren; romanen börjar med ett citat ur Wolfgang Amadeus Mozarts opera Don Juan.
T1 - Recension av Ingemar Hedenius heliga rum. Sofokles. Kierkegaard. Mozart. AU - Arvidson, Mats. N1 - Reviewed Work(s): Ingemar Hedenius heliga rum. Sofokles. Kierkegaard. Mozart (by Thure Stenström) PY - 2013. Y1 - 2013. M3 - Recension av bok/film/utställning etc. VL - 95. SP - 191. EP - 193. JO - Svensk tidskrift för musikforskning STM-SJM
Thure Stenström, Ingemar Hedenius heliga rum. Sofokles, Kierkegaard, Mozart För Hedenius förgasas många av Kierkegaards mest kända idéer – om ångesten, om de tre stadierna på livets väg. Thure Stenström kartläger detta musikaliska liv, försöker ringa in Hedenius smak – där Mozart alltid stod i E-tidningen. PREDIKAN 14 sö e Tref - 6 september 2015, S:ta Clara kyrka, Petter Sundelius För Kierkegaard var Mozarts Don Giovanni urtypen för det estetiska. Ständigt (SM 1888) ser L Mozart som den geniale operatonsättaren. Även om L ibland hänvisade till E Hanslick o visade en uppenbar förtjusning över A teorier om musiken som fysiologiskt-psykologiskt fenomen samt av Kierkegaards tankar om det X, Mozart, Wolfgang Amadeus, Die Zauberflöte / The Magic Flute / La flute enchantée : Ouverture Ibt, Den monastiska bildvärlden i Norden : föredrag vid det 10:e nordiska symposiet Dbz, Kierkegaard, Sören, Skrifter i urval, 9146129839. Patrick, D. G. M., Pascal and Kierkegaard.
Google Scholar. Music and Letters, Volume XXVI E. de Sousa, ‘Mozart: The Love for B. Zelechow, ‘Kierkegaard, Aesthetic and Music and the Music of Love’, in ‘‘Don Giovanni’’ ’, in G. Pattison (ed.) J. Stewart (ed.) Kierkegaard and the Kierkegaard on Art and Communication Renaissance and Modern Traditions, Tome (Basingstoke: McMillan, 1992), pp. 64–77. Kierkegaard's Relation to Mozart's Don Giovanni and Its Historical Backgrounds And of course, we know Frederick the Great was a flute player, and Prince Nikolaus Esterházy played the baryton.
Patrick, D. G. M., Pascal and Kierkegaard.
Il percorso intellettuale di Kierkegaard sembra in certa misu- ra prendere le mosse ni immortalato da Mozart è il seduttore irriflesso, poiché seduce solo con la
Focusing on the treatment of the supernatural elements in the opera, the author examines Lauritz Kruse’s Danish singspiel After all, Kierkegaard was not only a lover of the arts—famously, he was said to have never missed a performance of Mozart’s Don Giovanni at Copenhagen’s Royal Theater¹—but he is widely held to be the finest prose stylist of the Danish language. composers like Boulez and Xenakis. Mozart be interpreted as Kierkegaard's hint that he does not exclude the possibility for music to be a proper medium for expressing the higher imme-diacy of religious passion (I leave open the question whether this religiosity of which Kierkegaard speaks in 1843 applies to his later, 1945-07-01 2018-09-21 2014-02-14 After all, Kierkegaard was not only a lover of the arts—famously, he was said to have never missed a performance of Mozart’s Don Giovanni at Copenhagen’s Royal Theater¹—but he is widely held to be the finest prose stylist of the Danish language. Bringing Mozarts Don Giovanni to Terms with Kierkegaards Tseng, Shao Kai 2014-12-30 00:00:00 In his essay ‘The Immediate Erotic Stages or the Musical-Erotic’ in Either/ Or, Volume 1, Søren Kierkegaard pseudonymously presents an aesthetic theory of music and a curious misinterpretation of Mozart… Don Giovanni is an opera in two acts with music by Wolfgang Amadeus Mozart and Italian libretto by Lorenzo Da Ponte.
Kierkegaard Appunto di filosofia che contengono una approfondita trattazione sul filosofo Kierkegaard e sulla sua filosofia. Sono citate e spiegate tutte le sue opere e in particolari modo quelle
Kierkegaard. Mozart (by Thure Stenström) PY - 2013. Y1 - 2013. M3 - Recension av bok/film/utställning etc. VL - 95. SP - 191.
av Don Juan-figuren; romanen börjar med ett citat ur Wolfgang Amadeus Mozarts opera Don Juan. Lex , Mozart ' s Briefe , Auswahl Storck . Eckermann , Gespräche mit Goethe , 11 mars 1828 . Kierkegaard , Synspunktet for min Forfattervirksomhed .
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Kierkegaard read German fluently and made extensive use of the writings of German-speaking authors. It can certainly be argued that, apart from his contemporary Danish sources, the German sources were probably the most important in the development of his thought generally.
20). Papageno in Mozarts Zauberflöte. Dieses Stadium ist bezeichnet durch Papageno in der Zauberflöte.Auch hier gilt's natürlich, das Wesentliche vom Zufälligen zu scheiden, den mythischen Papageno heraufzubeschwören und die im Stücke vor unsern Augen wandelnde Person zu vergessen, und das namentlich hier, da im Stücke dieselbe mit allerlei bedenklichem Galimathias in Verbindung gebracht ist.
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av metoo har även varit ett återkommande tema i flera västerländska klassiker, från Shakespeare och Mozart till Molière och Kierkegaard.
Søren Kierkegaard Nietzsche considérait Mozart comme un divertissement, mais pour Søren Kierkegaard (1813-1855), philosophe romantique danois, il s'agit bien de la quintessence de la musique 2018-09-21 · Lo Sbuffo - La voce dei Millennials Don Giovanni. La musica di Mozart e l'eros è un libro di Søren Kierkegaard pubblicato da Mondadori nella collana Oscar classici: acquista su IBS a 7.60€! Hence the responses of Kierkegaard and other contemporary writers to Mozart’s seducer may be read as attempts to find meaning in a dramaturgically incongruous production. Place, publisher, year, edition, pages 2018. Vol. 29, no 1, p. 43-50 Keywords [en] KIERKEGAARD AND MOZART T. H. CROXALL.